ABOUT
Harrison specialises in delivering exciting, emotional and evocative sounds for film and TV. He has a particular interest in aiding character development and audience immersion through the use of affective sound, a topic he is currently researching as part of a PhD programme at Manchester Metropolitan University. With industry standard training and equipment, as well as a precise ear for detail, Harrison is a professional and methodical Sound Editor.
As a PhD candidate, Harrison is at the cutting edge of technique and technology in the Sound world, leasing with award winning sound designers and mixers to drive his research forward to deliver useable tools and groundbreaking technique for film professionals.
EQUIPMENT
FIELD RECORDING
Sound Devices mixer/recorders
TASCAM handheld recorders
LOM, RØDE, Sennheiser and AKG microphones
Rycote, RØDE and Bubblebee wind protection and microphone mounting systems
Beyerdynamic DT770 Pro monitoring headphones
ORCA sound bags and harnesses
Specialist hydrophones and contact microphones
HARDWARE & INSTRUMENTS
Focusrite audio interfacing
Tannoy monitors
Mac computers
Arturia, Korg and other mixers/controllers
Fender, Gibson and LAG guitars
Roland, Waldorf, and Korg synthesisers and drum machines
Custom built modular synthesisers
Fender, Blackstar and custom built amplifiers
DBX compressors
TC electronic and Alesis effects processing units
Evans vintage analogue delay unit
Custom built effects processors
SOFTWARE
AVID Pro Tools
Logic Pro X
Max/MSP
Pure Data
Wave Agent
Snapper
Audiofinder
Adobe Premier, Audition and After Effects
Custom made audio software